On that summer evening so long ago, Millicent Rogers had no idea that her purchase of the necklace created by Leekya Deyuse would be the beginning of a museum named in her honor. The necklace is heavy in her hands, perhaps nearly four pounds. And then she sees a necklace of beautiful turquoise that makes her take a quick breath 294 irregularly shaped tabs of blue and green turquoise are strung with a large pendant of the same stone. She randomly picks up bracelets, earrings, and belts and closely examines details of stamped patterns, the inlays of coral, mother of pearl, and onyx, and the interesting shapes of dragonflies, crosses, and snakes that have been formed from silver. She stops to visit with one Native vendor, then another, all the time eyeing art forms that are completely new to her. In the crowd is a woman – striking, well-tailored and blonde – and she strolls among sale displays including silver and turquoise jewelry, textiles and drums. Now more than 60 years later it is easy to recognize how instrumental she was in popularizing this rich culture not only through her jewelry creations but through her collections of indigenous art.Īn oft-repeated story captures the essence of her fascination with the culture of her adopted home: Gallup, New Mexico on a warm desert evening in 1947 at the Intertribal Ceremonial, a gathering of Indian artists, dancers, drummers and singers. She believed that Southwestern Indian culture was a precious part of America’s heritage that had to be recognized and preserved. Taos with its scenic beauty, tranquility and Native American culture fueled her creativity. But settling in Taos did not mean she would simply slow down. No doubt responding to beautifully designed, well-constructed, and artful pieces, Millicent Rogers, surely in part, collected jewelry, textiles and baskets because as an artist herself she responded to and appreciated beauty that can be found in the objects of devotion, utility and adornment that are unique to the Southwest.Īfter what would prove to be the last great love affair of her life, Rogers came to Taos in 1947 with a heart broken by Clark Gable, and physically weakened by rheumatic fever as a child. Drawing designs for bold, modern and sometimes abstract jewelry pieces that she eventually had made (or made herself at her own bench) also display her own artistic ability. Her correspondence with fashion designers like Charles James reveals aspects of her creative style. So how does this answer why Millicent collected art of the Southwest? That Millicent approached fashion creatively is the key. Apart from photographing well and having a figure for couture design, Millicent had a way of combining fashion elements with a unique, engaging flair, which in turn caught the eye and attention of fashion devotees. But she was also distinctive for her looks and her fashionable style, which resulted in popularity with photographers, clothing designers and fashion magazines. Millicent’s life, before Taos, includes the things one would expect, such as travel, homes, marriages and children. Rogers who was the co-founder with John D. Millicent Rogers (1902-1953) grew up in New York within privilege and wealth and she was often referred to in the press as the “Standard Oil Heiress,” since it was her grandfather, H.H. Suite Sixteen is the first official joint project between Tao Group Hospitality and Madison Square Garden since Tao Group Hospitality joined the MSG family in February 2017.Millicent Rogers Millicent Rogers, Philanthropist and Socialite Membership tiers range from Access level, for those who already have event tickets to experience the suite’s amenities, to top-of-the-line memberships, which include reserved priority seating, exclusive marketing/branding opportunities, and private access to the suite. Selections include TAO’s famous Satay of Chilean Sea Bass with a Misoyaki Glaze, LAVO Meatballs, and Bodega Negra Tacos, to name a few. Members will enjoy a variety of menu items from Tao Group Hospitality restaurants, curated by chef/partners Ralph Scamardella and Chris Santos. Additional fixtures throughout the suite include wood veneer covered walls, leather bar stools, and a custom-built wood and chrome bar adorned with premium spirits, wine, and champagne. A plush leather sofa wraps around part of the common area, complete with cocktail tables and studded armchairs. The suite features luxe leather stadium-style seating with a prime view of the arena floor. Named Suite Sixteen – a nod back to Noah Tepperberg and Jason Strauss’ first ultra-exclusive NYC nightspot – the suite transports members to an opulent lounge that delivers Tao-style luxury combined with top MSG sports and entertainment. Tao Group Hospitality presents a custom-designed members-only suite at New York City’s Madison Square Garden.
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